Somewhere in the stacksThe needle drops, and the week lets go
I'm John. I go to a lot of shows. I plan road trips around record stores. I've spent more Saturdays than I can count elbow-deep in somebody's dollar bins, and I regret almost none of it.
But the real reason this site exists is what happens at home. Lights low, phone in the other room, a record on the platter — that's my easy place. I think a lot of people are wired the same way and just haven't noticed yet. Vinyl isn't nostalgia for me. It's the one format that makes you sit down and actually listen.
Along the way the hobby grew jobs. Friends started asking me to find records, to explain why one copy costs $12 and another $120, to fix the ones they'd loved too hard — that last one became The Vinyl Surgeon. And decades of Austin shows turned me into an accidental historian of this city's rooms — the ones still standing and the ones we lost.
Everything here is me: my finds, my collection, my opinions, my mistakes (see: three copies of 'Avalon'). No reposts, no filler. If it's on this site, I'd put my name on it — and technically, I did.
- Records in the crates
- 0+
- Years at the rail
- 0+
- Records rescued by the Surgeon
- 0
- Copies of 'Avalon'
- 0
Why "zen"?
Because the ritual is the point. Sliding the record out, hitting it with the brush, cueing the arm, those first seconds of run-in groove before the music starts. Twenty-two minutes a side, no shuffle, no skip. The format forces presence — and presence is the whole practice. The records are just how I get there.